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architectuur --- ruimtelijke ordening --- Environmental planning --- Architecture --- architecture [discipline] --- comprehensive plans [reports] --- City planning --- Urbanisme --- Periodicals. --- Périodiques --- #TS:TCON --- 72.036 --- 72.037 --- 711.4 --- 72 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- Stedenbouw --- Periodicals --- Périodiques --- Ruimtelijke ordening --- Architectuur --- architectuur [vakgebied] --- Architecture - Periodicals. --- City planning - Periodicals. --- Architecture - Périodiques. --- Urbanisme - Périodiques.
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Architecture, Baroque --- History. --- 72.034 <4> --- 1601-1700 --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Europa --- 72.034 <4> Architectuur van de renaissance; barok; rococo en koloniale stijl--Europa --- 72.034.7 --- 72.03 --- Baroque architecture --- History --- Barok (architectuur) --- Barokarchitectuur --- Architectuur (geschiedenis) --- Architectuurgeschiedenis
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Working class --- Housing. --- Travailleurs --- Logement --- Dwellings. --- Habitations --- Housing --- -72.03 --- 72.03 --- 728.4 --- 351.778.5 --- 728.2 --- architectuur --- architectuurtheorie --- stedenbouw --- sociologie --- wonen --- geschiedenis --- woningen --- Commons (Social order) --- Labor and laboring classes --- Laboring class --- Labouring class --- Working classes --- Social classes --- Labor --- Affordable housing --- Homes --- Houses --- Housing needs --- Residences --- Slum clearance --- Urban housing --- City planning --- Dwellings --- Human settlements --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Sociale huisvesting (architectuur) --- Sociale woningbouw --- Huisvestingsbeleid --- Volkshuisvesting --- Collectief wonen --- Collective housing --- Employment --- Social aspects --- Working-men's dwellings
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Louis Isadore Kahn, (né Itze-Leib Schmuilowsky, le 20 février 1901 à Kuressaare - mort le 17 mars 1974 à New York) , est un architecte américain, d'origine estonienne. Il est aujourd'hui considéré comme l'un des plus grands architectes du XXe siècle. Ses principales œuvres sont aux États-Unis, en Inde et au Bangladesh. Souvent monumentales, elles marquent une attention particulière à la vie communautaire. Son langage personnel, relayé par son enseignement et ses écrits, traduit un travail rigoureux sur le plan, l’épaisseur de la paroi, la lumière et le matériau, particulièrement la brique et le béton armé.
Architecture, Domestic --- Architecture --- Building, Wooden --- Architecture domestique --- Construction en bois --- Shingle style --- Stick style --- History --- Style bardeaux --- Histoire --- 72.035 --- 72.03 --- Shingle Style --- stick style --- Verenigde Staten --- 19de eeuw (architectuur) --- Negentiende eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Kahn, Louis Isidore, --- 72.036(73) --- Architectuurgeschiedenis ; 19e eeuw ; Verenigde Staten --- architecture [discipline] --- anno 1900-1999 --- United States --- architectuur --- architectural theory --- architectuurtheorie --- Wright, Frank Lloyd --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Architecture, Domestic - Shingle style - United States --- Architecture, Domestic - Stick style - United States --- Architecture, Domestic - United States --- Architecture - United States - History - 19th century --- Building, Wooden - United States --- Kahn, Louis Isidore, 1901-1974
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Architecture, Byzantine --- Church architecture --- Liturgy and architecture --- Architecture byzantine --- Istanbul (Turkey) --- Istanbul (Turquie) --- Buildings, structures, etc --- Constructions --- -Church architecture --- -Liturgy and architecture --- -Istanbul (Turkey) --- 726 <495 BYZANTIUM> --- 72.033.2 --- -#BIBC:bibl.Reekmans --- Architecture and liturgy --- Liturgical architecture --- Architecture --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Byzantine architecture --- Byzantine revival (Architecture) --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Griekenland--BYZANTIUM --- Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- -Buildings, structures, etc --- Buildings, structures, etc. --- 72.033.2 Architectuur van Byzantium; Oud-Rusland; Oud-Armenie --- 726 <495 BYZANTIUM> Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur--Griekenland--BYZANTIUM --- #BIBC:bibl.Reekmans --- Architecture, Byzantine - - Istanbul - Turkey --- -Church architecture - - Istanbul --- Liturgy and architecture - Turkey - Istanbul --- Istanbul (Turkey) - Buildings, structures, etc
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Paul Rudolph is one of the most inventive, versatile and controversial members of the postwar generation of American architects. Born in 1918 in Kentucky, Rudolph trained at the Graduate School of Design at Harvard under Walter Gropius, whose ideas (notably on the importance of teamwork and on the role of planners in architecture) he was in due course to reject as het evolved his basic principle : that urban design in the prerogative of the architect. Het began his career in partnership with Ralph Twitchell, an architect 30 years his senior, in Sarasota, Florida. The partnership concentrated on designing small houses, which already showed Rudolph to be abandoning the purist austority of Gropius. In 1958, with a school building in Sarasota, the Jewett Arts Center at Wellesley College, Massachusetts, and a project for a new American Embassy in Amman to his credit, Rudolph was appointed Chairman of the School of Architecture at Yale University. Among his larger projects during this period, were a number in New Haven itself, including housing and the parking garage for 1,500 cars. At Yale he designed the massive Art and Architecture Building, built in ribbed concrete. On leaving Yale in 1965, Rudolph moved to New York, where he continues to practise. His projects have assumed proportions which his early designs for houses did not presage. The New York Graphic Arts Center project of 1967, for example, embodies a gigantic framework intended to contain mobile prefabricated units - a combination of two concepts within one scheme, and an extraordinary instance of Rudolph's creative virtuosity.
Rudolph, Paul, --- Architecture --- Paul Rudolph --- architectuur 20e eeuw --- architecten --- 72.071 --- buitenlandse architecten --- Rudolph, Paul --- Critique et interprétation --- Critique et interprétation. --- Rudolph, Paul, 1918-1997 --- Critique et interprétation.
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Dwellings --- Architecture --- Habitations --- -Dwellings --- -#BIBC:bibl.Lemaire R.M. --- 72.03 --- Domiciles --- Homes --- Houses --- One-family houses --- Residences --- Residential buildings --- Single-family homes --- Buildings --- Architecture, Domestic --- House-raising parties --- Household ecology --- Housing --- Architecture, Western (Western countries) --- Building design --- Construction --- Western architecture (Western countries) --- Art --- Building --- Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- Design and construction --- 72.03 Bouwstijlen. Architectuurscholen. Architectuurstromingen. Bouwkunst: periodenen invloeden --- #BIBC:bibl.Lemaire R.M --- 72.031.6 --- Architectuurgeschiedenis ; primitieve architectuur : Afrika --- Vernaculaire ; traditionele architectuur ; Afrika --- Architecture, Primitive
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Space (Architecture) --- Architecture --- Espace (Architecture) --- Composition, proportion, etc --- Espace (architecture) --- Composition, proportions, etc. --- 72.01 --- -Space (Architecture) --- #TCON:CCHTB --- 72.03 --- Giedion, Sigfried --- architectuur --- architectuurgeschiedenis --- ruimte --- Griekenland --- cirkels --- tholos --- tumuli --- Malta --- Rome --- bouwmaterialen --- binnen en buiten --- Architecture and space --- Space and architectural mass --- Space in architecture --- City planning --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Architectuurtheorie --- Architectuur (theorie) --- Composition, proportion, etc. --- Design and construction --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Space (Architecture). --- Proportion (Architecture) --- Architectural design --- Composition (Art) --- Proportion --- Composition (architecture) --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Negative space (Architecture)
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Space (Architecture) --- Architecture --- Espace (Architecture) --- Philosophy --- Philosophie --- 72.01 --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectural design. --- Architectural design --- Space --- Space (Architecture). --- Space. --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- ruimtelijke ordening --- Environmental planning --- architectural theory --- architectuurtheorie --- comprehensive plans [reports] --- Architectuurtheorie ; over de architecturale ruimte --- Architectuur ; theorie, filosofie, esthetica --- Ruimtelijke ordening --- Architectuur --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Analyse de l'architecture --- Perception de l'espace --- Espace architectural
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